A new painting began with a story about fire, but did not become an illustration of it. During the process I crossed a boundary within my own painting practice. I am not showing the work yet.
Read the post ›On the transformation of light, wood and ash into the matter of painting. A personal account of the making of “Cycle of Light” and my work with memory.
Read the post ›Two paintings began with the same experience — light appearing between trees. A mirrored transfer of a fresh layer of paint became the starting point for the second work, which gradually moved away from landscape towards abstraction.
Read the post ›A reflection on how years of craftsmanship remain present in my painting — in the hand, the gesture, the tools and the way I work with matter.
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